Childish Gambino

With shows that are as immersive, interactive, and mesmerising as they are entertaining, Childish Gambino lights up the stage like very few artists can.

In Australia to headline Splendour in the Grass, Childish Gambino played a handful of arena shows for those not lucky enough to get to Byron Bay.

FOH Engineer Kevin Brown has been fortunate to work with some very talented artists over the years, which include Toni Braxton, American Authors, Chris Brown, OutKast, Joi, Nicki Minaj, and Cody Simpson.

He has been with Childish Gambino for only four months after he was approached by Tim Colvard, the artist’s previous FOH guy, to take over after the first weekend of Coachella.

Kevin was mixing on a DiGiCo SD7, saying he has tried to use the SD Platform exclusively for quite a few years. “At the time it was the only desk that didn’t make me feel restricted by its workflow,” he added.

“The SD7 has a very powerful engine and you can do almost anything, whenever you want. That type of flexibility is paramount in allowing us to be creative as mixers.”

Kevin was using a Neve 1073 and Avalon 737 for the main vocal, remarking that the 1073 is a great mic pre, and if you combine that with the smooth EQ of the Avalon, you start off in a great space for your vocal. For effects processing he was using an Eventide H3000 along with various UAD and Waves plugins for reverbs, delays and some chorusing.

Kevin describes Childish Gambino as a solid performer and dynamic with the microphone; there are times when he projects and others where he forces you to listen.

“It’s all about dynamics, the ups and down are what create the journey,” he added.

“This is a very exciting mix, especially from a mixer’s position. There is six-piece band on stage that consists of drums, bass, two guitars, keys, and percussion.
“On top of that, you have playback tracks and five choir members. This puts us in the ballpark of 110 channels. There are so many layers that allow you to create a dynamic mix with lots of depth.”

JPJ Audio provided gear and crew for the Australian leg of the tour and Kevin found himself using a Clair Brothers CO12 PA system for the first time. The system comprised of 16 CO-12 in the main with six CP-218 subs flown. For side hangs there were 14 CO-12 plus eight CO-8 for front fills and 16 CP-218s on the ground.

“The first word that comes to my mind is powerful!” commented Kevin.

“In the air the PA looked smaller than some other systems, but they sound big, and the subs sound huge. I was really impressed. It’s not every day you get that type of energy moving from an active speaker.”

Kevin remarked that there was nothing special going on with microphones. There are a few Shure 57s, 58s, 98s, and AKG 414s on stage whilst Childish Gambino is on a Shure Axient Digital 58.
As Kevin concludes, the main ingredient is the group of talented individuals on stage. It starts at the source!

A touring comms package included a Riedel Artist comms system, 2300 Series Smart Panels with David Clark headsets, and Bolero wireless comms for the stage, all interfaced into Big Picture’s comms system for seamless integration with cameras and directors.

Tour radios were also supplied by JPJ Audio with D2N also supplying a Hytera radio solution for the tour.

Charlie Izzo, who has mixed monitors for Childish Gambino the past 18 months, says everyone in the band has really good ears and expects a higher level of fidelity in their mixes. He ran a Solid State Logic (SSL) L500, with a Lexicon Pro 480L and a Bricasti M7 outboard, and Shure PSM 1000s for IEM.“I just really like the sound of SSL’s live consoles,” he added.

“The preamps, EQs and summing have a real analogue feel to them. I use a Waves package as the flexibility and quality of Waves plugins really makes a huge difference for me.”

Charlie utilised an ELI Distressor to control vocal dynamics and a Lexicon 480L for the vocal reverb, saying it has been a standard in recording studios for years for a reason. “In the IEMs it really shines,” he said.

“I also have a Bricasti M7 for verb. It is a really solid reverb unit that produces very clean, rich verbs. I use the internal SSL buss compressor. There are so many companies that emulate it with plugins, but having it straight from the source is spot on.”

“I use the Shure PSM1000’s because they simply sound great. They have a super quiet noise floor for IEM packs and they really translate what I’m doing on the console well.”

Charlie commented that it really is a pleasure to mix for Childish Gambino, adding that aside from everyone being incredibly talented musicians and performers, they are also really great people to work with.

Photo Credits: ©Troy Constable

This article first appeared in the print edition of CX Magazine September 2019. CX Magazine is Australia and New Zealand’s only publication dedicated to entertainment technology news and issues. Read all editions for free or search their archive www.cxnetwork.com.au